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      <image:title>Blog - Rising Opera Stars in Jurmala, Latvia</image:title>
      <image:caption>The top prize winners: Matthew Cairns, Jungrae Noah Kim, Daniel O'Hearn (from left) © Dzintari Concert Hall - Pauls Zvirbulis</image:caption>
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      <image:title>Blog - Rising Opera Stars in Jurmala, Latvia - Make it stand out</image:title>
      <image:caption>The nine finalists © Dzintari Concert Hall - Pauls Zvirbulis</image:caption>
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      <image:title>Academic - “In this meticulously researched study, Rebecca Schmid shows how Weill's impact on American musical theater manifested itself less in specific stylistic traits than in paradigmatic formal innovations. Drawing on various discourses about artistic influence and intertextuality, which in musicology have hitherto primarily been applied to Western classical music, she demonstrates in detail the ways in which Weill's example critically informed, in creative acts of ‘active reception,’ the work of Bernstein and Blitzstein (among others).”</image:title>
      <image:caption>Image provided courtesy of the Kurt Weill Foundation for Music</image:caption>
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    <lastmod>2025-01-09</lastmod>
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      <image:title>Broadcasting</image:title>
      <image:caption>Most recently, she joined a conversation with ABC Australia about Leonard Bernsein’s comic operetta Candide, also drawing upon material from her book Weill, Blitzstein and Bernstein: A Study of Influence. Listen here, starting at 35:26.</image:caption>
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    <lastmod>2026-01-05</lastmod>
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    <lastmod>2026-02-23</lastmod>
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      <image:title>Home - Weill, Blitzstein and Bernstein: A Study of Influence (University of Rochester Press/Boydell &amp; Brewer) - available to order</image:title>
      <image:caption>Rebecca’s recently released book explores how Kurt Weill’s formal innovations laid the groundwork for the music theater of Marc Blitzstein and Leonard Bernstein although they either resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom’s Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill’s opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre.</image:caption>
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